It is loaded with coconut oil and argan oil to give you the moisture your skin needs.It lathers with ease and allows for multiple passes.The saga of the Crusich family – a family of triestine origin who in actual fact represent the family of the author Gianmarco Calligarich -, starts at the outset of the twentieth century.
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That's what happened when cousins Joseph Abbatangelo and Michael Iuorio took a holiday in Italy and discovered the joys of wet-shaving.
The hobby-turned-passion-turned-business is Razo Rock. They are providing Italian style grooming requisites to rabid wet-shavers around the world. This artisan soft soap is made in the Italian style.
It tells the tale of a farming family, the Peruzzi – alter ego of the Pennacchi family, who emigrated from the Veneto region to southern Lazio.
Following their adventures, Pennacchi gives an account of Italy from the nineteen tens to the Second World War; in between, the reclamation of the Pontine Marshes, the fascist gangs, life in the camps, the colonies. Parte seconda’ (Mondadori, 2015), starts where the first one finished: in 1944.
His father’s stroke, however, changes everything: at night, whilst Nemesio lies in a hospital bed, Nemo dreams of his father’s life in from his birth to the present.
And it was the epitome of a crazy life: born in 1899, Nemesio lived through two wars, fought in Spain, and knew the Futurists, Lombroso, the great avant-garde artists, and the Iron Curtain.
Through biographical notes flanked by comments and articles from different eras placed between the works, readers are encouraged to ponder the destinies of these talents.
You might have heard of a working vacation, but what about a vacation that launches a business?
Thus, with compelling as well as comic language (books examining the Twentieth century are rarely comical), Rossari has created another way of viewing the Twentieth century and, above all, another way of placing Italy and its people within it.
Edited by Irina Zucca Alessandrelli With drawings by Vincenzo Agnetti, Enrico Baj, Gianfranco Baruchello, Cagnaccio di San Pietro, Antonio Calderara, Alik Cavaliere, Gino De Dominicis, Fortunato Depero, Domenico Gnoli, Maria Lai, Aldo Mondino, Bruno Munari, Carol Rama, Medardo Rosso, Tancredi, Adolfo Wildt discovers and reconsiders certain chapters of Italian art history from the last century through works on paper (most of which have never been shown in museums) from the angle of new visual and intellectual intersections.
This article aims to be a small examination of a phenomenon that I think some of the most interesting titles released recently in the Italian libraries share: namely the trend – if it can truly be called a trend – to deal finally with the Twentieth century.